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Boston Globe
honoring the intensity of Victoria's music
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theclassicalreview.com
a joy to listen to from beginning to end
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Classica
The Tallis Scholars have discovered how to translate the world of the Spanish composer Victoria, in all his Latinity and unique sonorities
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musicalcriticism.com
Their combination of ultra-refined and disciplined singing has had an enormous effect on the way polyphony has been sung for 30 years, and it's a great pleasure to see that their influence and excellence shows no sign of waning.
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The Times
Victoria, Spain's 16th-century master composer, at his most eloquent.
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Musicweb
an outstanding release that celebrates the thirtieth anniversary of Gimell in the most distinguished manner possible
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The Sunday Times
great music for such an occasion — intense, condensed and directly and darkly expressive
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The Guardian
One of the greatest achievements of Spanish Golden Age polyphony
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Victoria's Lamentations are powerfully intense.


21 March 2010
The Observer (London)
Nicholas Kenyon

One of the most influential choral recordings of our time was of Victoria's Tenebrae Responsories, sung with raw passion half a century ago by the Westminster Cathedral Choir under George Malcolm. Over their 30 years of recording, the Tallis Scholars have always cultivated a far smoother, more harmonious texture: Victoria's Lamentations, also for the Holy Week liturgy, are less dramatic than the Responsories, but are powerfully intense and desolate. Under Peter Phillips the pungency of the text is occasionally sacrificed to the beauty of the sound, but the balance is perfect and the recording (in Merton College chapel) is glorious.
See the review in The Observer.





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