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Goldberg
flawless intonation, crystal-clear voicing and a remarkable balance between emotional expressivity and cool intellectualism
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Audiophile Audition
It is becoming almost impossible to objectively review a Tallis Scholars recording.
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The Age, Melbourne
It is a remarkable acheivement that 35 years after its founding The Tallis Scholars should still be a leader in the field of Renaissance polyphony.
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Classical.net
It's not necessary to know that mist is composed of water droplets. Yet Phillips and the Tallis Scholars do know this. And such refinement refreshes anyone who would wash away the dust. Now almost 35 years old, the Tallis Scholars have managed to open this music – successfully and unhesitatingly. Buy this wonderful CD!
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The Guardian
It's intricate but fascinating to unravel, and both masses are gravely beautiful pieces, unfolded with wonderful clarity and purity of tone by Phillips's eight-voice choir.
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The Independent on Sunday
a melancholy valediction in which the stern sopranos and basses corall the flighty tenors
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classicstoday.com
Artistic Quality 10/10 - Sound Quality 10/10. Top marks for The Tallis Scholars latest release.
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International Record Review
The Tallis Scholars, with their crystalline clarity and superb intonation, are ideal interpreters of this at times impossibly complex music.
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The Tallis Scholars are unrivalled in this repertoire


18 October 2008
Partituren
Uwe Schweikert

With their faultless intonation, transparency of line, and ideal balance between emotional intensity and cool intellectuality, the Tallis Scholars are unrivalled in this repertoire. Peter Phillips highlights the individuality of the different voice-parts - making their individuality comprehensible - yet forms a homogeneous overall sound. By comparing the early Missa Ad fugam and the later Missa Sine Nomine Josquin's stylistic development becomes clear: the thick sound-world of the early work, with its melismatic long-drawn-out lines, yields to a much tauter style, full of rhythmic contrasts without forfeiting any complexity.

Fascinating music, which immediately opens up to the listener even if he knows nothing of the polyphonic artifice which Josquin has deployed.

Translated from a review in the German magazine Partituren.






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