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Diapason
The Apollonian art of the Tallis Scholars seems to have found in Mouton's balanced and masterly counterpoint a language which exactly suits them. As in the past with Palestrina - and perhaps even more with Josquin - their singing thrills; and makes thrilling the rediscovery of a master of masters.
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Classica
The Tallis Scholars and their perfect phrasing have caused a forgotten composer from the Renaissance, Jean Mouton, to be born again.
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classicstoday.com
Musically, vocally, and sonically, this (new) Tallis Scholars recording stands with the best the group has ever made.
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Musicweb
Peter Phillips proves conclusively that the music of Jean Mouton is worthy of a wide audience.
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outstanding realisations of Mouton's wonderful music


25 September 2012
BBC Music Magazine
Barry Witherden

Let's overlook the punning pictures of sheep/moutons on the cover and concentrate on the choir's outstanding realisations of Mouton's wonderful music. Mouton's canon-based compositions have a refreshing airiness and transparency. This clarity is achieved notwithstanding his mathematical methods, and it's a quality that's brought out superbly by the Tallis Scholars and by the excellent recording, providing both sharp focus and a sense of spaciousness and depth.

The CD opens with Loyset Compère's chanson on which Mouton's Mass is based. This chanson is itself an elegent, delightful piece. Its inclusion helps us appreciate the skill and imagination with which Mouton weaves his developments of its three voice parts. The programme is completed by some motets and a setting of Ave Maria ... virgo serena, with some of these pieces demonstrating how Mouton could pare down his musical components and still produce dazzling beauty.

Peter Phillips's lively, highly readable notes present scholarly comments in an accessible manner. They give vivid insight into the historical context of Mouton's music.

5* Performance
5* Recording

Abridged from the full review in the November 2012 issue of BBC Music Magazine






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